Fast-forward two decades, and Zim-along with deranged robot companion GIR-is back to continue his invasion, with Vasquez let loose to create an animated movie without restraint. Back in 2001, Jhonen Vasquez’s sci-fi comedy about an inept alien attempting to take over the Earth was a massive underground hit, but it skewed a bit too dark for the kids’ network.
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Nickelodeon never quite knew how to handle Invader Zim. Often bleak, but an undeniably brilliant piece of filmmaking. Director Edward Berger's take on the material is the first to be filmed in German, adding a layer of authenticity and making for a blistering, heart-rending cinematic effort that drives home the horror and inhumanity of war. Paul's journey is one of a loss of innocence, of naivete crushed by the relentless machine of war and state, and how soldiers on the ground are chewed up in the name of politicians and generals. It's all downhill from there in this magnificently crafted adaptation of Erich Maria Remarque's groundbreaking novel, one of the most important pieces of anti-war literature of the 20th century. His romantic view of the conflict is shattered on his first night in the cold trenches, surrounded by death and disaster, and dealt a tragic blow with the easy, meaningless loss of a dear friend. Hopped up on nationalism and dreams of battlefield glory, Paul Bäumer (Felix Kammerer) is an eager young recruit for the German army during the last year of the First World War. By contrasting big hair and materialist excess against a rush for survival, White Noise serves up some authentic moments of humanity amid its chaos. While the contemporary Covid-19 parallels are none too subtle, keeping the 1980s setting of Don DeLillo’s original novel proves an inspired choice on Baumbach’s part, one that accentuates the film’s darkly absurd comedy. Neurotic familial squabbles prove the least of their worries, though, when an “airborne toxic event” hits their town, sending everyone scrambling for cover with exponentially disastrous results.
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Driver stars as Jack Gladney, a college professor faking his way through a subject he’s unable to teach and struggling to work out family life with his fourth wife, Babette (Greta Gerwig), and their four kids from previous relationships.
The latest from director Noah Baumbach sees him reteaming with his Marriage Story lead Adam Driver for another quirky look at disintegrating families and interpersonal angst-albeit this time with an apocalyptic twist. Although Troll could have easily descended into parody, Uthaug steers clear of smug self-awareness and instead delivers one of the freshest takes on the genre in years. But the striking Nordic visuals and the titular menace’s ability to blend in with the landscape allows for some impressively original twists along the way. Eidsvold serves as Tobias Tidemann, the former professor chased out of academia for his crazy theories about trolls. The plot and characters will be familiar to any fan of kaiju cinema-Ine Marie Wilmann heads up the cast as Nora Tidemann, the academic with a curiously specific skill set called in to advise on the crisis, while Kim Falck fits neatly into the role of Andreas Isaksan, the government adviser paired with her, and Gard B. This gleefully entertaining giant-monster movie eschews tearing up the likes of New York or Tokyo in favor of director Roar Uthaug’s ( Tomb Raider 2018) native Norway, with a titanic troll stomping its way toward Oslo after being roused by a drilling operation. A rollicking sea-bound adventure directed by Chris Williams-of Big Hero 6 and Moana fame-it has secured its standing as one of Netflix’s finest movies with a nomination for Best Animated Feature at the upcoming Oscars. However, after an attempt to destroy the colossal Red Bluster goes disastrously wrong, Jacob and Maisie are stranded on an island filled with the creatures, and they find that the monsters may not be quite so monstrous after all. Jacob Holland (voiced by Karl Urban) is one such hero, adopted son of the legendary Captain Crowe and well on the way to building his own legacy as a monster hunter-a journey disrupted by stowaway Maisie Brumble (Zaris-Angel Hator), who has her own ambitions to take on the sea beasts.
It's easy to imagine that the elevator pitch for The Sea Beast was “ Moby Dick meets How to Train Your Dragon”-and who wouldn’t be compelled by that? Set in a fantasy world where oceanic leviathans terrorize humanity, those who hunt down the giant monsters are lauded as heroes.
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